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| 1 | +--- |
| 2 | +label: 20th April 2026 |
| 3 | +meta: |
| 4 | + title: "News - 20th April 2026" |
| 5 | +icon: broadcast |
| 6 | +image: /static/thumbnail.jpg |
| 7 | +--- |
| 8 | + |
| 9 | +Happy Monday! 👋 |
| 10 | + |
| 11 | +On **Tuesday 19th April 2022**, a group of over 100 people in TV and film production worldwide (myself included) sent an [open letter](https://fcp.cafe/openletter/) to Tim Cook of Apple about Final Cut Pro. |
| 12 | + |
| 13 | +Crazy to think that yesterday, that marks 4 years ago! 🤯 |
| 14 | + |
| 15 | +> Knut Hake BFS, editor of ‘Blood Red Sky,’ a feature film distributed by Netflix and edited using Final Cut Pro commented, “I think it would make a big difference for workflow consultants, systems integrators and third-party developers if there was a public Beta program for Final Cut Pro. Apple already do it for iOS, macOS and even Safari. It would make Final Cut more reliable and make it much easier for people to fit Final Cut into their plans for the future.” |
| 16 | +
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| 17 | +Sadly, we still don't have any official public beta program. |
| 18 | + |
| 19 | +> Steven Sanders, editor in chief of of the Fox TV series ‘War of the Worlds’ season 3 said “The two main reasons why I am often not allowed to chose my favourite editing application, which is Final Cut Pro are: 1. Collaboration! Editing big productions needs collaboration. Different users have to be able to access the same library at the same time. There is no way around this. Avid Media Composer does it and even DaVinci Resolve does it. Apple still targets the single user. They have to change that. That will change everything. 2. Many professionals do not know how Final Cut works. They are afraid of it, even regard is as ‘iMovie Pro.’ I hear that all the time in my business. This perception really has to change." |
| 20 | +
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| 21 | +Sadly, we still don't have any real collaboration tools, outside of the amazing [Hedge PostLab](https://hedge.co/products/postlab). |
| 22 | + |
| 23 | +> Jeff Asher, editor of ‘Big Sky,’ a US TV series on ABC and Hulu, says “As a TV editor, my job consists of being creative and being fast. Final Cut is the best NLE to achieve both of those goals. Now we need Apple on board with a roadmap and open dialogue with Film and TV creators to restore confidence lost over ten years ago.” |
| 24 | +
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| 25 | +Apple was slowly getting better at communicating and being more open. |
| 26 | + |
| 27 | +The [last Final Cut Pro Creative Summit](https://fcp.cafe/fcp-creative-summit/#2024) was pretty amazing - listening to the Apple's Fitness+ team [talk about their workflow](https://fcp.cafe/news/20241114/) was really great. |
| 28 | + |
| 29 | +But that was 2024 - it's now 2026, and who knows what's happening with the Final Cut Pro Creative Summit. |
| 30 | + |
| 31 | +> We'd love to see Apple publicly support and certify the suppliers of the third-party products and services we use to integrate Final Cut Pro into industry-standard workflows. |
| 32 | +
|
| 33 | +Sadly, we haven't really seen any movement in this space. |
| 34 | + |
| 35 | +As someone who runs a Final Cut Pro news site, and also builds niche apps specifically for Final Cut Pro users, there really is a BIG difference between how Blackmagic operates and how Apple does. |
| 36 | + |
| 37 | +At Blackmagic, they have a dedicated Developers section at their NAB booth. Sadly, the only way you'll see Apple staff at NAB is if you happen to know them already. |
| 38 | + |
| 39 | +I wonder... is it time for another open letter, or is it better to just keep bashing along, and build the future we want to make, using tools like [CommandPost](https://commandpost.fcp.cafe) and [SpliceKit](https://splicekit.fcp.cafe)? |
| 40 | + |
| 41 | +Speaking of which... introducing the new **SpliceKit** logo, coming very soon! |
| 42 | + |
| 43 | + |
| 44 | + |
| 45 | +As LLMs become more powerful, and ANYONE can build ANYTHING they want (already we have non-coding video editors making INCREDIBLE things in SpliceKit!) - it'll be interesting to see how Apple reacts and adapts, because it's certainly a crazy world where a non-coding video editor can fix bugs in Final Cut Pro faster than Apple can. |
| 46 | + |
| 47 | +Interesting times ahead! |
| 48 | + |
| 49 | +In other unrelated news, **RØDE Sonaura** sounds super interesting. |
| 50 | + |
| 51 | +You can watch this video on [YouTube](https://www.youtube.com/watch?v=lqXdtqCNZ50): |
| 52 | + |
| 53 | +[](https://www.youtube.com/watch?v=_tHdyD9TGCA) |
| 54 | + |
| 55 | +You can read the [news article](https://rode.com/en-au/about/news-info/sonaura) and read more on the [website](https://rode.com/en-au/about/sonaura). |
| 56 | + |
| 57 | +As someone who's done a lot of sound recording on film sets over the years, this sounds SUPER interesting! |
| 58 | + |
| 59 | +If you're at NAB, make sure you head to the **Accsoon Booth in Central Hall (Booth #C7338)** and track down my good friend Bradley Andrew from [FilmDrives](https://filmdrives.com). |
| 60 | + |
| 61 | +He's demoing his amazing iPad app, [Video Assist](https://apps.apple.com/app/video-assist/id6464140279). |
| 62 | + |
| 63 | +Also, if you spot anything cool and interesting at NAB, please let me know! |
| 64 | + |
| 65 | +To wrap things up, here's a fun image that someone sent me recently... |
| 66 | + |
| 67 | + |
| 68 | + |
| 69 | + |
| 70 | + |
| 71 | +Always cool to see the behind the scenes of a shot! |
| 72 | + |
| 73 | +Thanks team! Onwards & Upwards! |
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