fixed mistake in Ramakrishna2017

Author: vlabatut

index.md

@@ -125,7 +125,7 @@ List of methods designed to extract character networks from fictional works. The
   <tr><td>First 6 <i>Star Wars</i> movies</td><td><a href="http://doi.org/10.3217/jucs-021-06-0796">Tran2015</a></td><td>Y</td><td>N</td><td>N</td><td>N</td><td>N</td><td>Y</td><td>N</td><td>N</td><td>N</td><td>Role detection</td></tr>
   <tr><td>Corpus of Hollywood movies</td><td><a href="http://doi.org/10.1007/978-3-319-24069-5_37">Tran2015a</a>, <a href="http://doi.org/10.1007/s11042-016-3633-6">Tran2017a</a>, <a href="http://doi.org/10.1007/s40595-018-0111-2">Do2018</a></td><td>Y</td><td>N</td><td>N</td><td>N</td><td>N</td><td>Y</td><td>N</td><td>N</td><td>N</td><td>Movie summarization</td></tr>
   <tr><td>Large corpora of European plays</td><td><a href="http://dh2015.org/abstracts/xml/FISCHER_Frank_Digital_Network_Analysis_of_Dramati/FISCHER_Frank_Digital_Network_Analysis_of_Dramatic_Text.html">Fischer2015a</a>, <a href="http://dh2016.adho.org/abstracts/360">Trilcke2016</a>, <a href="http://doi.org/10.6084/m9.figshare.3101203">Fischer2016</a>, <a href="https://sht.asso.fr/le-drame-comme-reseau-de-relations-une-application-de-lanalyse-automatisee-pour-lhistoire-litteraire-du-theatre/">Fischer2017</a>, <a href="https://dh2017.adho.org/abstracts/071/071.pdf">Fischer2017a</a>, <a href="https://doi.org/10.5281/zenodo.4284002">Fischer2019</a>, <a href="https://dh2018.adho.org/en/to-catch-a-protagonist-quantitative-dominance-relations-in-german-language-drama-1730-1930/">Fischer2018b</a>, <a href="http://doi.org/10.1515/9783111071824-002">Trilcke2024</a></td><td>Y</td><td>N</td><td>N</td><td>N</td><td>N</td><td>N</td><td>N</td><td>N</td><td>N/Y</td><td>Check literary theories, Descriptive analysis</td></tr>
-  <tr><td>945 movie scripts</td><td><a href="http://doi.org/10.18653/v1/p17-1153">Ramakrishna2015</a></td><td>N</td><td>Y</td><td>N</td><td>N</td><td>N</td><td>N</td><td>N</td><td>N</td><td>N</td><td>Descriptive analysis</td></tr>
+  <tr><td>945 movie scripts</td><td><a href="http://doi.org/10.18653/v1/p17-1153">Ramakrishna2017</a></td><td>N</td><td>Y</td><td>N</td><td>N</td><td>N</td><td>N</td><td>N</td><td>N</td><td>N</td><td>Descriptive analysis</td></tr>
   <tr><td>46 fantasy novels, and Hugo's <i>Les misérables</i></td><td><a href="http://doi.org/10.1371/journal.pone.0126470">Waumans2015</a></td><td>N</td><td>Y</td><td>N</td><td>N</td><td>N</td><td>N</td><td>N</td><td>N</td><td>Y</td><td>Classification of works</td></tr>
   <tr><td>4 versions of a drama by Paul Claudel</td><td><a href="http://doi.org/10.3917/rhlf.163.0547">Alexandre2016</a></td><td>N</td><td>Y</td><td>N</td><td>N</td><td>N</td><td>Y</td><td>Y</td><td>N</td><td>N</td><td>Literary analysis</td></tr>
   <tr><td>Martin's <i>A Storm of Swords</i></td><td><a href="http://doi.org/10.4169/mathhorizons.23.4.18">Beveridge2016</a></td><td>Y</td><td>N</td><td>N</td><td>N</td><td>N</td><td>Y</td><td>N</td><td>N</td><td>N</td><td>Descriptive analysis</td></tr>